He raised the dead therein; and the world-rulers of darkness became envious of him, for they did not find sin in an astringent, he got rid of the darkness that lay on his eyes. Thus for After our renunciation of the world, the demons suggest to us that we should envy those living in to heaven, a descent of fire into the cenacle of the soul takes place.
Download PDF What about the future of your nation and the world? A world-shaking crisis is inexorably building and will, in the near future, explode We, whatever our descent or ethnicity, are no better than those ancient Israelites. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. A selfless masterpiece. Like this: Like Loading Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:.
Email required Address never made public. Name required. Follow Following. Brother Eagle Stephan Micus Bold As Light Rain Spring Dance Flying Swans Wide River Autumn Dance Golden Ginkgo Tree The Shrine Winter Dance The Child Seven Roses Stephan Micus Panagia Praise You, Unfading Rose [] You Are the Treasure of Life [] I Praise You, Lady of Passion [] You Are the Life-Giving Rain [] I Praise You, Sacred Mother [] You Are Like Fragrant Incense [] You Are Full of Grace [] I Praise You, Shelter of the World [] You Are a Shining Spring [] I Praise You, Cloud of Light [].
Stephan Micus Implosions. Exact Audio Copy V1. August EAC extraction logfile from Exact Audio Copy V0. May EAC extraction logfile from 8. May EAC extraction logfile from 9.
Stephan Micus Darkness And Light. Dawson These pieces for various ethnic instruments are all played by Micus. Til the End of Time songs Personnel: Stephan Micus vocals, guitar, hammer dulcimer, harp, zither, shakuhachi, kortholt.
He uses a ney flute, Spanish guitars, Bavarian zithers, acoustic guitars, a sarangi, voice, and 22 flowerpots. This is very exotic and esoteric music. Micus takes advantage of the natural timbres and textures of these devices and creates a different kind of ambience. It is definitely not mainstream, decidedly avant-garde, and highly essential for the adventurous music lover. It is in a class by itself.
There's some stunning music on this session, and it's certainly worth hearing; it's also probably not jazz. Dawson Included are two long fantasias for guitars and Japanese flutes. He uses exotic instruments and techniques that give this disc electronic timbre.
He combines hammered dulcimers, sho, a shakuhachi, a ney, zithers, and vocals in a swirling sound design that absolutely shimmers. The natural sonorities of these devices create vast atmospheres with organic timbres. The soundscapes penetrate and enhance brainwave activity. Stephan Micus Music of Stones AMG Review by Glenn Swan Continuing his musical quest across countries and cultures, Stephan Micus visits the Cathedral of Ulm, where Elmar Daucher has been sculpting and carving rocks of granite, marble, and basalt specifically for their acoustic potential.
Such a curiosity, where Micus is involved, usually results in an album. The Music of Stones is indeed a curious and deep meditation -- a spotlight on the instruments as much as the music.
It follows a formula similar to his album Twilight Fields, where tuned clay pots were the centerpiece. A tin whistle flutters around three stone chimes for "Part 3," and the harmonics attained in this and in "Part 4" sound like a Gamelan of gongs, bowls, kalimbas, mbiras There were no overdubs on the album, so the occasional church bells are heard far off in the background to provide an additional element of unscripted ambience.
It makes a fitting lullaby of prayer to close out the album. Like most Stephan Micus albums, this is not world music, but certainly music from some foreign place within this world.
You still can't get blood from a stone, but Daucher and Micus can certainly get life out of one. Stephan Micus Darkness And Light AMG Review by German multi-instrumentalist Stephan Micus was making his own rather idiosyncratic version of world music years before it became fashionable to do so.
Micus specializes in taking ethnic instruments from all over the planet and using them, in ways that transcend their traditional contexts, to play his own moody and somewhat austere compositions. On Darkness and Light Micus makes extensive use of the dilruba, a four-stringed bowed Indian instrument that sounds somewhat like a nasal cello which has 24 sympathetic strings that set up a hypnotic drone effect behind the haunting melodies.
Also featured are the classical Spanish guitar, the Balinese suling flute, an Irish tin whistle, the sho a Japanese bamboo mouth-organ , the kortholt a German renaissance reed instrument , various gongs, and the remarkable ki un ki, a six-foot-long Siberian cane trumpet pictured on the cover , whose spirited blasts are created by inhaling rather than exhaling. Multi-tracking himself to create his own global orchestra, Micus freely mixes these diverse instruments in ways that draw out their universal and timeless qualities.
This slow, patient, spacious music reaches down into the depths of the listener's consciousness to conjure up its images of Darkness and Light. I heard it in my yoga class.. I have to order and wait… And I do not want to wait, I am so badly captivated.
I want to listen to "to the evening child" right now and over and over again. I Praise You, Unfading Rose 2. I Praise You, Sacred Mother 6. You Are Like Fragrant Incense 7. You Are Full Of Grace 9. You Are A Shining Spring On all of his recordings he has relentlessly sought to expand his musical universe by digging deeply into the sounds, traditions, and instruments of other cultures, often traveling great distances to study with masters of certain kinds of instruments.
0コメント